708 Somewhere in New Mexico

The photo reference for this painting was taken during our ride to the airport.  With nearly 800 photos taken during this trip, I think I will have enough painting material for a long time.

"708 Somewhere in New Mexico"
acrylic - 9x12 in

http://www.dailypaintworks.com/fineart/diane-campion/708-somewhere-in-new-mexico/419816

698 The Rio Grande River at Arroyo Hondo

The day we painted the Rio Grande was the most difficult of days, as it was hot and windy, and as any plein air painter knows, the scene changes quickly and often.  I positioned myself down close to the river and found the gentle sounds of the flowing water so relaxing.  There were a lot of ants and bugs and pollen (ah-CHOO!) and suddenly the wind took several of our easels, paintings, umbrellas crashing to the dirt, or in some cases, down the rocky hill.  The painting then had "texture" and the umbrella was demolished.  Despite all of the above, I enjoyed this day so much and this is my favorite of the eight paintings from New Mexico.

As I have repeatedly said, plein air painting is not for sissies.  And that's the truth.  
"698 The Rio Grande River at Arroyo Hondo"
acrylic - 20x16 in

http://www.dailypaintworks.com/fineart/diane-campion/698-the-rio-grande-river-at-arroyo-hondo/417124

697 The Pedernal

During my recent Art Lady trip to New Mexico, we visited our old "friend," Ghost Ranch, a tranquil and beautiful place.  I struggled with the decision as to what to paint, but finally realized I had to paint the Pedernal, as Georgia O'Keefe did so many times.  I recently learned that she thought if she painted it enough times, God would give it to her.  I think she "owns" it. 

696 View from The Couse-Sharp Historic Site

This is the second painting completed en plein air during my recent visit to Taos, New Mexico.  We were very fortunate to visit and tour The Couse-Sharp Historic Site during the 100th anniversary of the Taos Society of Artists.  Joseph Sharp and Eanger Irving Couse were two of the original founding members of this society, and were devoted to painting the Native American Indians.  Messrs. Couse and Sharp, along with the four other original members of this society, found Taos t o besuch an inspiring place to paint, as did I, with its mountains, forests, clear blue sky and beautiful sunsets.

The Art Ladies were grateful to be able to paint in such a beautiful and comfortable spot. The views of the mountains, trees and chemisas were breathtaking, and in my foreground, there were changing groundcover.  I was drawn to the strong vertical of the trees.  We had a little downpour but were able to lunch on the porch of the house until it cleared up.  All in all, it was a great day and I left with  many, many reference photos for future paintings.

"696 View from The Couse-Sharp Historic Site"
acrylic - 11x14 in

http://www.dailypaintworks.com/fineart/diane-campion/696-view-from-the-couse-sharp-historic-site/416697

694 View From Ghost Ranch

I am gearing up to paint landscapes and painted this from a photo I took on a previous Art Lady trip to New Mexico.  This is one of many spectacular views from Ghost Ranch in Abiquiu, New Mexico.
Here is a great description of the area, taken from Ghost Ranch's website: 

"...The skies and land are so enormous, and the detail so precise and exquisite that wherever you are you are isolated in a glowing world between the macro and the micro."  Ansel Adams

I am happy with this painting, and really enjoyed painting it.

"694 View From Ghost Ranch"
acrylic - 9x12 in

http://www.dailypaintworks.com/fineart/diane-campion/694-view-from-ghost-ranch/413967